Masterclass Medingen Manuscripts Henrike Lähnemann Oxford Henrike lähnemann's research interests are medieval manuscripts, the relationship of text and images and how vernacular and latin literature are connected, currently mainly in late medieval northern german convents. Her research focuses on medieval manuscripts, the relationship of text and images and how vernacular and latin literature are connected, currently mainly in late medieval northern german convents.
Professor Henrike Lähnemann Centre For Early Modern Studies university of oxford cited by 288 medieval german literature medieval manuscripts text image relationship. Henrike lähnemann holds the chair of medieval german literature and linguistics at the university of oxford since 1 january 2015. her current research focuses on late medieval devotional manuscripts and early print culture from northern germany. My phd explored the late medieval literary network of nürnberg. i followed my doktorvater professor christoph huber to the university of tübingen where from 1995 to 2006 i taught a variety of courses on medieval german language and literature ranging from advanced gothic to early print culture. Henrike is eager to supervise students in the wider area of medieval german literature with a special focus on manuscript studies, the intersection of visual and textual culture and latin german bilingual writing.
Henrike Lähnemann Professor Of Medieval German St Edmund Hall My phd explored the late medieval literary network of nürnberg. i followed my doktorvater professor christoph huber to the university of tübingen where from 1995 to 2006 i taught a variety of courses on medieval german language and literature ranging from advanced gothic to early print culture. Henrike is eager to supervise students in the wider area of medieval german literature with a special focus on manuscript studies, the intersection of visual and textual culture and latin german bilingual writing. My research interests are medieval manuscripts, the relationship of text and images and how vernacular and latin literature are connected, currently mainly in late medieval northern german convents. Henrike lahnemann discusses the production and transmission of late medieval manuscripts, reflecting on the changeable nature of engaging with books as objects. Henrike lähnemann discusses the production and transmission of late medieval manuscripts, reflecting on the changeable nature of engaging with books as objects. she explores the layered meanings of a group of late medieval prayer books from the abbey of medingen‚ a cistercian convent. The journey of the manuscript beyond the middle ages is highlighted through the accommodation of the manuscript to the lutheran reformation and the addition of a bone plaque with a floral border in the nineteenth century, reflecting the contemporary concept of the medieval object.
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