Saint George The Dragon By Donatello Illustration World History A marble relief panel showing saint george and the dragon by the italian renaissance sculptor donatello (c. 1386 1466 ce). completed c. 1415 ce for the pedestal of a statue of the saint in the orsanmichele in florence. Saint george (italian: san giorgio) is a marble sculpture by donatello. it is one of fourteen sculptures commissioned by the guilds of florence [1] to decorate the external niches of the orsanmichele church.
Saint George The Dragon By Donatello Illustration World History The artwork features a high relief depiction of saint george, mounted on a horse, engaging in combat with a dragon. saint george is portrayed in the midst of his heroic act, spearing the dragon beneath him. Directly below the statue’s base is donatello’s marble relief representing saint george slaying a dragon to rescue a princess. the relief marks a turning point in renaissance sculpture. The italian creative sculpted saint george as he was believed to have been a few moments prior to him meeting and killing the dragon. the pose has in the past elicited debates and discussions as some academics think that the face of the statue looks confident and dauntless. A soldier saint in renaissance florence. donatello, saint george, c. 1416–17, marble (museo nazionale del bargello, florence, commissioned by the armorers and sword makers guild for the exterior of orsanmichele).
Saint George The Dragon By Donatello World History Encyclopedia The italian creative sculpted saint george as he was believed to have been a few moments prior to him meeting and killing the dragon. the pose has in the past elicited debates and discussions as some academics think that the face of the statue looks confident and dauntless. A soldier saint in renaissance florence. donatello, saint george, c. 1416–17, marble (museo nazionale del bargello, florence, commissioned by the armorers and sword makers guild for the exterior of orsanmichele). Saint george was a popular figure in the middle ages. a roman soldier who was martyred rather than recant his christian faith, it was the time he slayed a dragon to save a princess that made george a renaissance superstar, painted and sculpted again and again through history. The elegant saint george and the dragon relief on the statue's base, depicting the saint's combat with the dragon for the freeing of the princess of cappadocia, is one of the first examples of central point perspective in sculpture. Donatello’s depiction of st. george seems to reflect the idea of standing tall against an approaching enemy. it was a spirit that must have been shared by florentines of the day on account of contemporary events, and donatello used it as the source for the disposition of his statue. The relief at the base of the tabernacle depicts st. george slaying the dragon. it is noteworthy because of its new relief style, the so called relievo schiacciato, misleadingly translated as "flattened relief.".
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