Jo Bailey Interior Stylist London Make use explores what might occur if we consider not only the aesthetic of the garments we wear, but also the way we use them and the waste we create when we make them. this ongoing research through design project questions conventions of the clothing industry. Working in a collaborative environment, from a human centred perspective, the project explores methodologies, processes, tools and techniques with which to democratise access to scientific information, and to foreground credibility, transparency and trustworthiness in design for the web.
Work Jo Bailey The result was an open source system for making user modifiable, zero waste garments — combining digitally printed patterns with instructions directly applied to the cloth, so that the fabric itself becomes the guide for construction and adaptation. Through encouraging visitors and participants, including novice sewers, to make their own simple but experimental garments, make use hopes to assist others to re evaluate their understanding of making, wearing, modifying and designing clothing. There are four basic modifications possible from the make use crop t shirt print. these are: body volume rotation, armhole volume rotation, sleeve volume rotation, and sleeve taper swap. The make use project centers on the development and testing of an embedded navigational system by which users can formulate a functional understanding of the form and construction of a garment and its opportunities for manipulation.
Work Jo Bailey There are four basic modifications possible from the make use crop t shirt print. these are: body volume rotation, armhole volume rotation, sleeve volume rotation, and sleeve taper swap. The make use project centers on the development and testing of an embedded navigational system by which users can formulate a functional understanding of the form and construction of a garment and its opportunities for manipulation. In tandem, it is a reflective examination of negotiating the nature of good — as a synonym for ethical — design practice within the digital space, and within a client facing project. the findings from both research directions are embodied in this response, making good. This pākehā life: an unsettled memoir book system design the dark island book system design extraordinary anywhere book system design make use visual system and identity. I am dr. jo bailey, a designer and design researcher based at the wellington school of design, toi rauwhārangi college of creative arts, massey university in te whanganui a tara wellington, aotearoa new zealand. view my work and read my thoughts. Making good is an experimental mdes design exegesis that considers the nature of ‘good design’ through the experience of a live, commercial brief. findings are articulated through the spatialisation of research process in the digital realm.
Work Jo Bailey In tandem, it is a reflective examination of negotiating the nature of good — as a synonym for ethical — design practice within the digital space, and within a client facing project. the findings from both research directions are embodied in this response, making good. This pākehā life: an unsettled memoir book system design the dark island book system design extraordinary anywhere book system design make use visual system and identity. I am dr. jo bailey, a designer and design researcher based at the wellington school of design, toi rauwhārangi college of creative arts, massey university in te whanganui a tara wellington, aotearoa new zealand. view my work and read my thoughts. Making good is an experimental mdes design exegesis that considers the nature of ‘good design’ through the experience of a live, commercial brief. findings are articulated through the spatialisation of research process in the digital realm.
Work Jo Bailey I am dr. jo bailey, a designer and design researcher based at the wellington school of design, toi rauwhārangi college of creative arts, massey university in te whanganui a tara wellington, aotearoa new zealand. view my work and read my thoughts. Making good is an experimental mdes design exegesis that considers the nature of ‘good design’ through the experience of a live, commercial brief. findings are articulated through the spatialisation of research process in the digital realm.
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