Can T Help Myself By Sun Yuan Peng Yu The Guggenheim Museums And Can't help myself was a kinetic sculpture created by sun yuan and peng yu in 2016. [1] the sculpture consisted of a robotic arm that could move to sweep up red cellulose ether fluid leaking from its inner core, and make dance like movements. [2]. Learn about this artwork by sun yuan and peng yu in the guggenheim's collection online.
Sun Yuan And Peng Yu Can T Help Myself Arttuesday Adafruit The chinese artists sun yuan and peng yu participate in the 58th international art exhibition in venice with their work “can’t help myself” (2016). This article discusses the diverse meanings and interpretations that can be discovered in projected onto sun yuan & peng yu’s artwork can’t help myself. In can’t help myself, the thick, blood like liquid that is impossible to clean up invokes themes of death, violence, and war. Abstract in this paper, the many ways in which sun yuan and peng yu’s artwork can’t help myself can be interpreted will be discussed.
Afasia Sun Yuan Peng Yu Can T Help Myself 2016 7 A F A S I A In can’t help myself, the thick, blood like liquid that is impossible to clean up invokes themes of death, violence, and war. Abstract in this paper, the many ways in which sun yuan and peng yu’s artwork can’t help myself can be interpreted will be discussed. Su yan and peng yu exhibited a piece in venice in 2016, “can’t help myself,” that has sparked ongoing discussion. the mechanized hand brush in a glass box repeatedly washes a dark red liquid beneath itself. “can’t help myself” is a robotic art installation created by chinese artists sun yuan and peng yu in 2016 for the guggenheim museum. the installation features a kuka industrial robot arm enclosed in a transparent acrylic container measuring 32 feet by 20 feet. In can't help myself, the machine works endlessly on a task that is never finished. visitors interact with the artwork as if it was a caged animal. Can't help myself is a kinetic installation by the chinese artist duo sun yuan and peng yu. the work was originally produced for the exhibition „tales of our time“ at the solomon r. guggenheim museum, new york in 2016, where it has been on view until 2017.
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