Buildings Ana Serrano
Ana Serrano 9 x 13 x 8 inches, cardboard, paper, acrylic, inkjet prints, wire, balsa wood. culiacan #1, 2015. 15 x 19 x 20 inches, cardboard, paper, balsa wood, acrylic. the rampart, 2012. 19.5 x 18 x 19 inches, cardboard, paper, acrylic, inkjet prints, wire, balsa wood. the rampart (detail), 2012. Serrano’s work vividly captures the essence of urban life, particularly within latinx neighborhoods, through detailed, three dimensional representations of architectural forms and community spaces.
Ana Serrano Buildings by ana serrano the escalette collection holds five of serrano’s buildings: iglesia la luz del mundo, leaves in hp, mustard house, neveria, and sarita’s #1, all made of cardboard, inkjet print copies on paper, glue, and acrylic. Ana serrano’s colorful cardboard sculptures of cityscapes and buildings, inspired by latin american vernacular architecture, will be featured prominently this fall in two pst: la la exhibitions. But serrano’s specific imagery is all imaginary, she says. “there are elements in them of the many local houses and other small buildings i’ve known all my life,” the l.a. native adds. In cartonlandia, serrano wanted to capture the spirit of the unplanned architecture and buildings of tijuana. she felt it was important to represent these landscapes that were so central to her upbringing. [5].
Ana Serrano But serrano’s specific imagery is all imaginary, she says. “there are elements in them of the many local houses and other small buildings i’ve known all my life,” the l.a. native adds. In cartonlandia, serrano wanted to capture the spirit of the unplanned architecture and buildings of tijuana. she felt it was important to represent these landscapes that were so central to her upbringing. [5]. We have just been introduced to the work of sculptor ana serrano who creates vibrantly colored, detailed cardboard sculptures of buildings which are piled upon one another. her aesthetic is. With exacting precision and attention to detail, los angeles born ana serrano has become widely known for her cardboard constructions of dwellings and urban landscapes. a first generation mexican american, serrano is inspired by the dual cultural contexts of her upbringing. Ana serrano is a first generation mexican american and is inspired by the intersection of her dual cultural identities. she is best known for creating work that references the built environment using brightly colored cardboard and paper. Learn how to make amazing buildings with printed cardboard like the artist ana serano! she draws a lot of inspiration from her culture and hometown and is well known for her painted cardboard architectural designs.
Ana Serrano We have just been introduced to the work of sculptor ana serrano who creates vibrantly colored, detailed cardboard sculptures of buildings which are piled upon one another. her aesthetic is. With exacting precision and attention to detail, los angeles born ana serrano has become widely known for her cardboard constructions of dwellings and urban landscapes. a first generation mexican american, serrano is inspired by the dual cultural contexts of her upbringing. Ana serrano is a first generation mexican american and is inspired by the intersection of her dual cultural identities. she is best known for creating work that references the built environment using brightly colored cardboard and paper. Learn how to make amazing buildings with printed cardboard like the artist ana serano! she draws a lot of inspiration from her culture and hometown and is well known for her painted cardboard architectural designs.
Ana Serrano Ana serrano is a first generation mexican american and is inspired by the intersection of her dual cultural identities. she is best known for creating work that references the built environment using brightly colored cardboard and paper. Learn how to make amazing buildings with printed cardboard like the artist ana serano! she draws a lot of inspiration from her culture and hometown and is well known for her painted cardboard architectural designs.
Ana Serrano
Comments are closed.